Science and Culture Today Discovering Design in Nature
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Deity

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Photo: A scene from The Story of Everything, by Nathan Jacobson.

The Science of Theism as a Healing Salve

One reason I’m grateful for it is that the film makes a scientific case for theism of a kind that unites. It comes at an important moment for that. Read More ›
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Photo: Matt Fradd and Stephen Meyer, via Pints with Aquinas (screenshot).

Meyer, Fradd: Atheist Evolutionists Reason as if They Were Theists

Only a loving Deity who endowed us with reason — a highly unnatural gift! — can explain why we are able to think rationally, including about science. Read More ›
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Image source: Discovery Institute.

Stephen Meyer, Charlie Kirk: Return of WHAT God Hypothesis?

A listener says he is not an atheist, but an agnostic, and evidently a searcher. Read More ›
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Stephen Meyer’s Next Frontier: The Return of the God Hypothesis

Meyer is well known as a leading proponent of ID, the scientific alternative to theories of unguided evolution. He talks here about his exciting and important next book. Read More ›
Dembski interview
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For Your Labor Day Enjoyment – Dembski on Design Detection in Just Three Minutes

We last checked in with Robert Lawrence Kuhn as he interviewed Nobel laureate Brian Josephson who said he was “80 percent” sure of intelligent design. Read More ›

Intelligent Design and the Artist’s Soul (Part 3)

Editor’s Note: This is crossposted at Professor Scot McKnight’s Beliefnet blog, Jesus Creed. The first post in this series is found here, and the second here.

The Origin of Beauty

Benjamin Wiker and Jonathan Witt’s masterful book A Meaningful World: How the Arts and Sciences Reveal the Genius of Nature gives the following illustration of how modern scientific reductionists treat nature and the arts:

Imagine hearing the following account of one of Wolfgang Amadeus Mozart’s symphonies: ‘We have been able to prove that this particular symphony is actually reducible to a series of notes that happen to be played both at the same time in chords and one after another, creating a string of disturbances in the air caused by different frequencies. We realize, of course, that these disturbances cause further disturbances in the audience, due in part to the presence of Earth’s particular atmosphere and in part to the effect such disturbances have on the apparatus of the ear as transmitted by neurons to the brain–so disturbing, in fact, that some break into voluntary tears, remarking that they seemed to be hearing the very harmonies of heaven. Happily, we now know that there is nothing more to Mozart’s work in particular and to music in general than mere notes, themselves reducible to waves disturbing air.’

When Christian intellectuals hear such things, their general response is to think that they can have their Darwinian cake and merely scrape off the reductionist icing. But Darwinism, if I may continue the strained metaphor, is, it turns out, a layered cake with icing all throughout.

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Intelligent Design and the Artist’s Soul (Part 2)

Editor’s Note: This is crossposted at Professor Scot McKnight’s Beliefnet blog, Jesus Creed. The first post in this series is found here.

Intelligent Design and the Deity

In the predominant narrative, Charles Darwin was a humble scientist who proposed a strictly scientific theory. Upon publication of The Origin of Species in 1859, religious folks like Bishop Wilberforce voiced theological objections to it; and thus began the most salient episode in the ‘war between science and religion.’ Many Christians adopt a similar narrative, but suggest this was all a misunderstanding; Darwin’s theory simply has nothing to do with religious or philosophical questions.

If I may be so bold, I’d like to suggest that both narratives are wrong.

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