Science and Culture Today Discovering Design in Nature
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god’s

multiverse 2

Physicist: “Multiverse Is Religion, Not Science”

The question she leaves unaddressed is why scientists would choose, despite the absence of evidence, despite the fact that the multiverse is “unobservable by assumption,” to believe in a multiverse. Read More ›
science fiction
occult
Image: An illustration from H.G. Wells’s The War of the Worlds, by Henrique Alvim Correa [Public domain], via Wikimedia Commons.

Mike Keas: Modern-Day Atheism Meets the Occult

Keas describes the surprisingly religious role played by much atheistic science fiction. The discussion includes 2001: A Space Odyssey and H.G. Wells’s The War of the Worlds. Read More ›
Dembski interview
Dembski

For Your Labor Day Enjoyment – Dembski on Design Detection in Just Three Minutes

We last checked in with Robert Lawrence Kuhn as he interviewed Nobel laureate Brian Josephson who said he was “80 percent” sure of intelligent design. Read More ›

Intelligent Design and the Artist’s Soul (Part 3)

Editor’s Note: This is crossposted at Professor Scot McKnight’s Beliefnet blog, Jesus Creed. The first post in this series is found here, and the second here.

The Origin of Beauty

Benjamin Wiker and Jonathan Witt’s masterful book A Meaningful World: How the Arts and Sciences Reveal the Genius of Nature gives the following illustration of how modern scientific reductionists treat nature and the arts:

Imagine hearing the following account of one of Wolfgang Amadeus Mozart’s symphonies: ‘We have been able to prove that this particular symphony is actually reducible to a series of notes that happen to be played both at the same time in chords and one after another, creating a string of disturbances in the air caused by different frequencies. We realize, of course, that these disturbances cause further disturbances in the audience, due in part to the presence of Earth’s particular atmosphere and in part to the effect such disturbances have on the apparatus of the ear as transmitted by neurons to the brain–so disturbing, in fact, that some break into voluntary tears, remarking that they seemed to be hearing the very harmonies of heaven. Happily, we now know that there is nothing more to Mozart’s work in particular and to music in general than mere notes, themselves reducible to waves disturbing air.’

When Christian intellectuals hear such things, their general response is to think that they can have their Darwinian cake and merely scrape off the reductionist icing. But Darwinism, if I may continue the strained metaphor, is, it turns out, a layered cake with icing all throughout.

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Intelligent Design and the Artist’s Soul (Part 2)

Editor’s Note: This is crossposted at Professor Scot McKnight’s Beliefnet blog, Jesus Creed. The first post in this series is found here.

Intelligent Design and the Deity

In the predominant narrative, Charles Darwin was a humble scientist who proposed a strictly scientific theory. Upon publication of The Origin of Species in 1859, religious folks like Bishop Wilberforce voiced theological objections to it; and thus began the most salient episode in the ‘war between science and religion.’ Many Christians adopt a similar narrative, but suggest this was all a misunderstanding; Darwin’s theory simply has nothing to do with religious or philosophical questions.

If I may be so bold, I’d like to suggest that both narratives are wrong.

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